This is a comprehensive filter dialog in which you first set up perspective planes to match those in your image using the Perspective Grid tool. When the Healing Brush was first introduced it caused jaws to drop, and Photoshop CS2’s new Vanishing Point capability will do the same. It isn’t fail-proof, but in most cases you can remove flaws or unwanted objects with a single click. The new Spot Healing Brush intelligently analyses the area around the tool to automatically sample the best pixels for healing the area under the brush. Compared to the existing Colour Replacement tool, the dedicated new Red Eye tool lets you remove this common problem with a single click while offering advanced control over pupil size and darkening amount if you need it. ![]() There are also two new tools, or rather variations on existing tools, that soon prove invaluable when enhancing your photos. Most impressive is the Distort | Lens Correction filter that lets you interactively or precisely adjust for pincushion or barrel distortions and for the angle of your shot, and then throws in control over chromatic aberration and vignetting for good measure. There’s also a Smart Sharpen command that is able to correct types of blur – gaussian, lens and motion – and independently sharpen shadows and highlights. Hidden away among the 100-plus options under the Filter menu is a new Reduce Noise filter that can target unwanted grain in individual colour channels as well as correcting JPEG compression artefacts. Photoshop CS2 also addresses the most obvious of its limitations when dealing with digital photos. Best of all, you can load multiple files simultaneously and, while they’re being processed, multithreading means you’re able to carry on working within Photoshop, Bridge or even Camera Raw itself. And you’re now able to save export settings or simply copy and paste settings from one Raw file to another. Here, the new automatic image analysis, curve adjustments, and shadow and highlight clipping previews help you get the best possible results from your digital negatives. The most welcome Bridge-based feature for Photoshop CS2 users is the ability to load unprocessed camera images into the Camera Raw module. Particularly impressive is the ability to select multiple images taken with bracketed exposures to produce a single HDR (high dynamic range) image with 32 bits per channel, although the editing options then available are limited. ![]() In the process, Adobe grafts on numerous Photoshop-based automation features, such as the ability to apply image mode and type conversions. Visual file management has been devolved to the Adobe Bridge application, which offers a number of core image-handling advantages (see Adobe Bridge, opposite). In practice, this is a major step forward.
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