The sheer number of sounds means you won’t run out of new sounds and ideas. ![]() ![]() This is a good plugin for all your Risers and Hit needs. This plugin is available for macOS 10.11 or Higher and Windows 7 or Higher. This plugin requires Kontakt 5.8.1 or higher and is compatible with both the Full and Free versions of Kontakt. The overall design of the plugin is nice and simplistic, Native instruments have chosen not to go for the black background with color accents style designs that are becoming more and more frequent, and it’s nice to see an original color scheme for a plugin of this caliber. The visual feedback when shaping your sounds is also super useful when you start, as it gives you a better understanding of how the controls affect the audio. All the controls are labeled appropriately, so you don’t need to guess what the control does. Rise & Hit is a very visually pleasing plugin. So whether you want a quick Woosh-type riser or a slowly built-up riser, then Rise & Hit has you covered, and the quality of the sounds will not be affected, no matter how long or short. This means that once you’ve found a sound you like, you can use it in multiple ways. All these effects can be used on each layer for even more control over the sounds you create.Įach built-in sound within Rising & Hit has multiple sample lengths. There are fine-tuning controls, compression, saturation, multiple EQs, 26 different filters, dynamic controls, distortion controls, and classic reverbs and delays. Go try it out for yourself now.Within Rising and Hit, many built-in effects help you shape your sounds. Maybe make a really long reverse reverb and use it as a pad underneath your arrangement. Maybe a guitar riff that comes in after the melody? Now that you know how to create a reverse reverb, brainstorm some creative ways to use it. You now have your own reverse reverb to lead into your song. That’s it! Hit play and tweak your placement of the reverb so it lines up perfectly with the word. Cut the lows or the highs, depending on the tone you’re going for. Then, line up the transient of the reverb with the transient of the first word of the phrase.įinally, shape your reverb channel with some EQ. Next, we’re going to trim the edges of the of the sound file to only include the lead-in to the first word of the phrase.Īfter that, add some small fades to keep your speakers from popping when it comes in and out. Select the reverb file and bring up the Audio Editor. Now we’re going to go through the same steps as Step 1, but on our new reverb audio file. Then return to the edit window and reverse the audio file back where it was. That should save the reverb sound as its own audio file.įinally, go back to the vocal channel and bypass the reverb plugin and the send. Next, record arm the blank audio track and hit record. Then, create a new audio track, and set the input of that blank track as the bus from the vocal channel. Now we have to record the reverb to its own channel so that we can manipulate it.įirst, create a send on the vocal to a new bus. We don’t want any of the original signal coming through. Remember – you can always go through this process again if you want a different decay!ĭon’t forget to set the wet/dry balance to 100% wet. Tweak it until it sounds right to your ears. You don’t want it to be too short, or the fade-in will be really fast. You don’t want it to be too long, or the fade-in will be too slow. Next, add reverb to your newly reversed vocal. So don’t stress about ruining any of your hard work. That means you can reverse the audio file back at any time you’d like. Give it a listen – they should sound really weird! Then, under the “Functions” menu, click “Reverse.” ”įirst, select your vocal track and open up the Audio Editor window. I’m working in Logic Pro, so if you’re using a different DAW make sure to Google this phrase: “How to reverse an audio file in. The process seems complicated at first glance, but it’s actually very simple.įirst things first, we need to reverse the vocal recording itself. If your arrangement feels a little empty or the vocal needs more “umph” when it comes in, then give this technique a shot. ![]() It’s a fantastic way of adding some mystique and intrigue to your song. Reverse reverb builds anticipation, giving the sound even more of an impact when it hits. It gets the listener ready for the sound that’s about to come. The reverb becomes a part of the composition itself. ![]() It comes in before any notes even start, making it a cool songwriting trick. It’s a great way to lead into new sounds. To put it simply, it’s reverb that swells in BEFORE an instrument begins to play
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